Florentine Cultural Patrons In the Fifteenth Century: Portrait from Weinstein's "Savonarola", III

In depicting the broad cultural milieu of the period in Florence prior to the main subject of Weinstein's Savonarola , he describes, in addition to the famous Medici family, a group of thinkers and doers, teachers and clergy that had great influence. Despite this Republic's advancement of external holdings like Pisa, of growing internal urban industry, and economics in the 1400's, there were a few who would be able to help steer them through the many changes until at least the period up to the Italian Wars and Savonarola. The short list that Weinstein chooses in order to offer up some of the voices for the contours of those times, skates over a mere fifteen pages addressing church ritual, the scourge of forced loans, the ideas inherent in humanism and charged interest as well as taxes. The footnotes should be good too.

The Archbishop of the City held a special, privileged position. Married to the Church in a pageant of prestigious ritual, he also held great responsibility and power and influence.

"He was the chief authority in matters regarding the clergy. He presided over the ecclesiastical court, exercising jurisdiction over the laity in important matters such as marriage and faith. From the revenue producing properties under his control he dispensed patronage, most of it to the city's illustrious families. A successful archbishop had to know how to balance the interests of the local clergy with those of the curia. He had to speak for the laboring classes without aggravating their masters. He had to be a skillful administrator, a student of canon law and theology, a diplomat ... and ... shepherd of his flock, and effective preacher and doctor of souls." [p. 50]

One Antonino Pierozzi played the role from 1444 to 1459. His father was a notary, and he himself became a protege of Pope Eugenius IV and 'chief disciple' of the founder of Dominican Observance in Florence. As archbishop he became known as one who banned lewd festivals and issued death warrants for errant Franciscans. But in his semons, Weinstein says, Pierozzi tended to weave an ethos of humanism into the prior predominant mold of Thomas Aquinas. "He promoted the idea that service to the common good (bene comune) was a Christian as well as a civic virtue, especially relevant to life in a communal polity such as Florence." A chief problem was in the charging of interest which was not in agreement with Church teaching. [p.50]

It was his generation's misery to witness the slow demise or a shift in certain cultural attitudes. There was more money by mid-century and hence more ways to make money for more people. Pierozzi could still preach until his end that this pursuit of wealth may not all be bad so long as it was for public works, for aid to the poor and for the greater good of the community. But this generosity and magnanimity must be performed, he thought, as one of a few necessary civic duties, and not just for personal salvation. This was also an idea that Cosimo de' Medici could get behind. But for a city full of bankers and takers this must have been hard to reconcile for a mendicant Dominican. He was made a saint in 1523.[p. 51]

But Cosimo was also constantly reminded about the costs for security. The proliferation of mercenaries to quell bandits or just protect messengers, as well certainly, for the transport of goods and coin, was also more and more expensive. Interested in extending the influence of Florence, Cosimo also went ahead and built palaces in the cities and countryside round about. He could fill them up too, by extending his generosity to artists and builders, to musicians and those who studied rhetoric. Of course he did, and he did so for schools as well as churches and monasteries or the Mendicant Orders.  His patronage of the arts 'was personal, open and princely', Weinstein says.

"He was an avid builder of palaces and churches, employed the finest painters and sculptors of his time, and retained agents who traveled far and wide hunting for rare manuscripts and books. He sponsored Greek and Latin scholars, most notably Marsilio Ficino, the son of his physician, setting him up with the income from a farm at Careggi and a house in town, where he translated and commented on Plato and taught his brand of Neo-Platonism to leading citizens and their sons."

 "... [He] also liked to be seen as a benevolent father figure who embodied the traditional Florentine virtues of the pious Christian, shrewd pragmatic merchant, and republic-loving patriot. He played on the symbolism of the family name: the Medici were the republic's medici, physicians protecting the health of the polity." [p. 52]

But, he also nearly broke the bank funding Francesco Sforza's successful overthrow and capture of Florence's long time rival Milan, in 1449. When Cosimo died in 1464 he was hailed as Father of His Country and defender of its liberty.

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quotes and pagination in Donald Weinstein: Savonarola: the rise and fall of a renaissance prophet , Yale University Press, New Haven, 2011